Bridget jones diary edge of reason ending

#Bridget jones diary edge of reason ending tv

There is one bravura shot in which the camera pulls back fromsolitary, self-pitying Bridget and pans across a huge, night-time cityscapefull of happy lovers, but such formal flourishes are kept to a minimum. It's a tribute toZellwegger's virtuoso performance that Bridget still remains a credibleromantic heroine, however absurd and embarrassing the circumstances in whichshe finds herself.ДЄs per usual in Working Title's romantic comedies, we'retreated to various picture postcard views of London landmarks in breaks betweenthe drama. The risk was that if she made Bridget too blowzy,it would be mystifying why Darcy and Cleaver were so obsessed by her, but thatif she was too demure, she would turn into a wallflower. Zellwegger seems to have put even more weight on to play thepart than for the first film. Though she talks endlessly about 'shagging,' she doesn't dovery much of it. Paradoxically, Bridget is a prim and surprisingly naivefigure. The sequence in the Thai prison, in which she choreographs theother inmates in a performance of Madonna's LikeA Virgin, is excruciating, but whenever the film lurches too far towardwhimsy or mawkishness, the filmmakers will throw in a piece or sardonicdialogue or a joke about Bridget's oversized underwear. In another, she takes to theslopes, inadvertently wins a slalom race, and ends up skiing into a pharmacywhere the German-speaking locals are baffled by her requests for a pregnancytesting kit. In one memorable scene, we see Bridgetcommuning with the sand on a magic mushroom trip. Rather thana seamless piece of storytelling, this is essentially a collection of comicset-pieces. The narrative moves forward in episodic fashion. After narrowly avoiding being seduced byhim, she ends up in a Thai jail, accused of drug smuggling. Her co-host is the seemingly reformed Cleaver, whoclaims to have been in sex therapy.

#Bridget jones diary edge of reason ending tv

The relationship splutters to a halt and Bridget (still trying to makeher mark as a serious TV journalist) is whisked off to Thailand by her bossesto present a travel show. She makes a fool of herself at Darcy's law society dinner and remainssuspicious that he is having an affair with the leggy and glamorous RebeccaGillies. These areexacerbated during a skiing holiday during which she thinks she has fallenpregnant. He seemingly loves everything about her, even her 'wobblybits.' But she has simmering doubts about the relationship. She has spent several weeks as the girlfriend ofDarcy. 'I've foundmy happy ending at last,' she confides in her diary-style voice-over whichruns throughout the movie.

Some reviews will be grudging, some male viewers might findBridget's antics on the emetic side, US viewers may be baffled by references topopular UK TV shows like Footballers'Wives, but that shouldn't affect what should be bumper business both sidesof the Atlantic.ДЄs the film begins, Bridget is in clover. She should certainly help WorkingTitle to exorcise the memories of a very skinny summer in which Thunderbirds nose-dived and Wimbledon double-faulted with USaudiences. In her first cinema outing, Bridget reaped a weighty $280m at the worldwide box-office.Novelist Helen Fielding's heroine seems certain to post equally fat returnswith her second foray on the big screen. The other key novelty here is that there issome foreign travel thrown in. The same characters perform the same arabesques as inSharon Maguire's Bridget Jones's Diary(2001), albeit in different order. Nonetheless, it occasionally seems as if we're watching aremake, not a sequel. She is fedplenty of witty and acerbic one-liners by a high-powered screenwriting team.Hugh Grant effectively reprises his role as the womanising cad, Daniel Cleaver,while Colin Firth looks as tousled and soulful as ever playing handsome butuptight lawyer, Darcy, the love of Bridget's life.

Renee Zelwegger again excels as the podgy,thirtysomething London singleton with the ineffably messy love life. Bridget Jones is back, as fretful and neurotic as ever,in an expertly crafted (if rather soulless) sequel which is likely to hit allthe right buttons for Working Title.